Kati Vilim, Forces, 2017. Oil, canvas on panel, 39.5 x 39.5 inches. Courtesy of the artist.
This post is part of a series marking the 40th anniversary of Paul Robeson Galleries. We are celebrating the artists who we have had the pleasure of working with over the last four decades, highlighting those artists who have inspired, provoked, challenged, and enriched our lives.
Kati Vilim is a Hungarian-Born, New York/New Jersey based artist. She works across a range of media, including oil painting, printmaking, digital animation, and multimedia installation. Kati has a Master of Fine Arts from the University of Fine Arts, Budapest, Hungary and Montclair State University, Montclair, New Jersey. Her work has been shown across the United States and internationally, at art institutions such as Flux Gallery, Budapest, Hungary; Sheldon Museum of Art, Lincoln, Nebraska; Untitled Art Fair, Miami Beach, Florida; Walsh Gallery, Seton Hall University, South Orange, New Jersey; Gateway Project, Red Saw, Rutgers Paul Robeson Galleries and City without Walls Newark, New Jersey; as well as numerous private collections.
Kati has roots in Newark, New Jersey as a long-time resident of the artist studio space 31 Central located in Downtown Newark. She worked out of this space from 2006 to 2019 and was the first artist to be awarded the six-month Artist Residency provided by Paul Robeson Galleries at Express Newark. This program is dedicated to visual artists and intended to serve local arts initiatives in New Jersey by providing artists with a studio space to create work which results in a solo exhibition at the Paul Robeson Campus Gallery. She currently lives in Jersey City and works at her art studio in Chelsea. She recently completed an art residency with the prestigious Eileen S. Kaminsky Family Foundation (ESKFF) at Mana Contemporary in Jersey City.
About the Art
Kati Vilim uses the language of abstraction. Her style focuses on colorful geometric abstractions gravitating to the use of primary colors: magenta, cyan, yellow, blue, red, and green. The absence of outlines in Kati’s compositions leaves her canvases with chunks of color so precisely painted that one cannot detect even a trace of her brush strokes or unevenness in her colors. Such features trick the eye into believing that these paintings are made by mechanical devices or printing techniques, but she simply uses a ruler and a pencil to draw directly onto her canvases, and tape and brushes to paint. In her choice of abstract language, Kati brings to mind the movement known as Constructivism. Constructivism is an artistic and architectural philosophy that originated in Russia beginning in 1915 by Vladimir Tatlin and Alexander Rodchenko. Constructivists used sparse, geometric forms and modest materials. From paintings to posters to textiles, they created a visual language out of forms that can be drawn with utilitarian instruments like compasses and rulers.