Minter is best known for her glossy, hyperrealistic works that depict close ups of the eyes, lips, and feet laden with make-up, jewels, dirt, and couture accessories. Many of her photos are of body parts seen through panes of wet glass. These photos are captured from dynamic and provocative angles that suggest the seductive but disturbing nature of “glamour.” She examines the relationship between the body, cultural anxieties of desires and sexualities, along with fashion imagery.[1] She has said, “When I think about my work, I mostly think about the paradox that goes on when you look at these images. How much pleasure glamour gives us but at the same time, how we know we’ll never look like that, and even [models] don’t look like that. There’s this constant distortion that’s happening between all of us—men and women—there’s a sense of failure. But at the same time, all of this pleasure.”[2]
[2] “Marilyn Minter,” Artnet.com, http://www.artnet.com/artists/marilyn-minter/